Only submit worksamples that represent you well. Does it have your spirit? Does it have your voice? Does it match the level of thought that you put into the work you put on stage or on the page? A worksample that seems out of synch with the company will confuse the panel. A worksample that seems out of synch with the application will create distrust. A worksample that is poorly chosen, produced, or executed will irrevocably turn them off. No matter how much we talk on these panels about the challenges of getting good documenation of work in this sector, people ARE figuring out effective ways to represent themselves and those people remain standing at the end of the worksample reviews. The rest fall off the list.
The life and times of the new American play, and the life and times of the Carnegie Mellon School of Drama Dramatic Writing Program.
Saturday, October 9, 2010
On not shooting yourself in the foot
This may be the best blog post ever from David Bower. Read the whole thing.