Tuesday, November 30, 2010

Do not write a play until you read this, or, Why you need an MFA from Carnegie Mellon.



Here's the annual pitch:

The Carnegie Mellon University School of Drama
Dramatic Writing Program

As a writer for theatre or film, you’re not writing to be read; you’re making a blueprint that contains all the information your future collaborators will need to create an event.

Carnegie Mellon is uniquely positioned to offer an intense experience that combines training in playwriting, screenwriting, television writing, and new theatrical forms. As an integral part of the Carnegie Mellon School of Drama, the oldest degree-granting theatre program in the United States, the Dramatic Writing program provides ongoing collaboration with the next generation of important actors, directors, and designers. Writers collaborate with these colleagues every week of the semester in Theatre Lab, as well as working on a television project twice a year.

Dramatic Writing MFA candidates have the opportunity to see their plays fully produced in the New Works Series. These productions are helmed by emerging directors under the supervision of Marianne Weems, and industry guests are brought in to respond to the plays.

The program is one of only six leading institutions chosen to participate in the Alfred P. Sloan Foundation Film School Awards, which awards $35,000 in screenplay prizes annually to two students within the Carnegie Mellon Dramatic Writing program.

The Dramatic Writing program is headed by Rob Handel, a founding member and managing director of the Obie-winning playwrights’ collective 13P, and a resident playwright at New Dramatists. The curriculum fosters leadership through a unit called “Envisioning a Theatre,” in which students examine revolutionary movements in theatre; write manifestos of their own; and build a plan for starting a theater company.

Recent and upcoming guest faculty include Mac Wellman, Jeffrey M. Jones, Sherry Kramer, Richard Nelson, Tarell Alvin McCraney, Madeleine George, and Peter Sinn Nachtrieb.

Carnegie Mellon is dedicated to equipping writers to enter a highly competitive industry at the highest level. MFA candidates have met recently with directors Daniella Topol, Leigh Silverman, and John Collins, as well as decisionmakers from Woolly Mammoth, The Gersh Agency, Pixar, Legendary Pictures, and Fox Filmed Entertainment. Students benefit from the strong support of School of Drama alumni in the field, including Stephen Schwartz (Godspell, Wicked), Stephen Bochco (Hill Street Blues, L.A. Law), and John Wells (ER, Third Watch). Recent alumni include Jonathan Larson Award winners Chris Dimond and Michael Kooman, James McManus (Princess Grace Award), Jason Williamson (Dramatists Guild Fellowship), and Kevin Christopher Snipes (SPF).

The program has longstanding ties to Pittsburgh’s City Theatre, which is devoted to the production and commissioning of new plays. There are unlimited possibilities for collaborating with the many new-media initiatives taking place across the university, recognized as a world headquarters for entertainment technology.

How to apply: Dramatic Writing applicants must submit either one full length play or one full length screenplay in addition to all university and school applications. The application deadline is January 1 annually.

Sunday, November 28, 2010

Lines posted on an office door at New Dramatists

CALVERO: This is my home. Here.
TERRY: I thought you hated the theatre.
CALVERO: I do. I also hate the sight of blood, but it's in my veins.

— Charlie Chaplin, Limelight

Monday, November 22, 2010

Friday, November 19, 2010

from the classroom to OOB in five and a half weeks

The Dramatic Writing MFA program is dedicated to preparing playwrights to enter the profession at the highest level. That's why the constant submission of students' scripts to professional production opportunities is integrated into the coursework.

For the 10-minute play assignment in Theatre Lab this fall, first-year MFA student Murphi Cook wrote Nothing Says Happy Like, a post-apocalyptic comedy about a dedicated Spam salesperson. Five and a half weeks later, the play is being produced Off-Off-Broadway as part of a short play festival. Go see it.

Thursday, November 18, 2010

My Kind of Theatre = Performed Participatory Democracy





City Council Meeting is performed participatory democracy -- part play, part social sculpture, part town meeting. Performers and viewers will be the Mayor and Council members, city secretary, citizens and, of course, the misfits like me who hang out at city council meetings and always have something to say. Come early and you might end up in the Mayor's chair.


Go here for more about this project from the fascinating Aaron Landsman (Elevator Repair Service's Gatz, 13P's American Treasure).

Wednesday, November 17, 2010

A mammoth undertaking

Madeleine George
In this report from Playbill.com, we see some of the wisest minds in the theatre collaborating, and a recognition of the life cycle of a play in the real world.

The New York City theatre companies Clubbed Thumb and Playwrights Horizons have teamed up for a new play development program called SuperLab. The first of a series of "collaboratively curated play laboratories" was held Nov. 12, focusing on Madeleine George's Seven Homeless Mammoths Wander New England. [...]
 

SuperLab is supported by funds granted to Clubbed Thumb by Metlife/Theatre Communications Group's A-ha! Program ... Clubbed Thumb and Playwrights Horizons, who share a commitment to advancing distinctive new voices, will bridge a gap between downtown and uptown theatre sensibilities, methodologies and artist rosters, expanding the range of experience and opportunity for all."

Clubbed Thumb's producing artistic director Maria Striar says, "I proposed this program to TCG out of a desire to do more to get our artists and their work to broader audiences, and to weave some collaborative tissue between Clubbed Thumb and larger organizations for our mutual benefit. I like to think that Clubbed Thumb has been an incubator for some of the most interesting theater careers out there, and Playwrights Horizons has given many of them their next home. Adam Greenfield [Playwrights Horizons' director of new play development] and I have been talking about plays for years, so this is an organic partnership."

Tuesday, November 16, 2010

13P is four stories high



Perseverance may the most important quality you can cultivate as a playwright. For example, stick with your dream of being a producing collective long enough, and you may find yourself attracting a spectacular staff of unpaid volunteers who will work 16 straight hours to pull off a gorgeous and glamorous benefit.

It seems like just a few moments ago (though it was actually seven years) that Joy Katz was designing the 13P logo on her laptop. Last week that logo was projected four stories high on the outside of the building across the street from 3LD in downtown Manhattan. (With animated falling leaves, yet.)